For visual artist Carlos Sodokpa, photography is a means to explore the inherent intimacy of classical portraiture and the significance of self-representative imagery as an expression of cultural resilience within a West African societal context.  

Through the lens, Sodokpa aims to heighten the connection to oneself, others, and the world. The human form and the interconnection between public and private spaces are central to Sodokpa’s practice. His emotionally charged visual chronicles, invite viewers into an anthropological analysis of the zeitgeist intrinsic to African societies, further heightening the connection to oneself, others, and the world.  

In a compelling self-portrait series entitled “Mère N.art.urELLE” (Mother Nature), Sodokpa reflects on the various environmental issues plaguing our planet. Calling attention to challenges raised by mass pollution, the degradation of our natural habitats, green house emissions and the salient role humanity continues to plays on the environment and its preservation. The Series is conceived as a hauling of sorts, inviting viewers to consider new ways of implementing sustainable strategies to help safeguard Earth's natural resources and preserve its biodiversity. 

With a remarkably astute attention for details, Sodokpa creates images that sublimate the process of framing subjects within urban landscapes. Linking dormant aspects of history with the present, this work opens new perspectives and interpretations to the notions of home, culture, gender, identity and migration, ultimately bringing forth the postcolonial legacy that continues to shape the African continent, its diaspora and its overarching influence on the world.